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Core77 Toyota Calty Studio Visit, Round 1: How the pros use PS


So, we’re back from Toyota’s Calty Design Research studio in palm tree-infested Newport Beach, CA, and it was about as thoroughly pleasant a press visit as could be imagined. A small group of design bloggers got a walk-through of the studio, presentations by three different designers working on the 2009 Venza (a new Boomer-seeking “crossover sedan” that Calty’s been developing since 2005), and some nice touches like a hands-on clay sculpting demo and a visit to the room-sized 5-axis CNC.

More coverage to come, but let’s start off with a short video of Venza chief exterior designer Ian Cartabiano doing a PS render of a concept sketch, followed by some 3D CAD fly-throughs:

A couple of things to notice about Ian’s technique and set-up. First off, despite having access to pretty much any interface technology out there, he’s going for what looks like a 12×12 Wacom Intuos–not a Cintiq–and rendering over a scanned pen and paper sketch. According to Cartabiano, who also teaches auto rendering at ArtCenter, there’s a lot of variation among designers; while Photoshop is pretty standard, input devices are a matter of personal preference. Ian prefers the Intuos’ responsiveness, and reiterates what a lot of other top designers have said about sketching: there’s no substitute for the tactile feedback of paper.

Also of note: custom pen shapes for different applications, a stylus that never stops moving, and lots and lots of layers.

For a different angle on this demo–literally–check out Jean Aw’s coverage on NotCot. She managed to stick around all the way until Ian signs his name.

The 3D CAD is from a large presentation room where more developed designs are reviewed by management. The Alias models (yep, it’s all still Alias, though according to Calty president Kevin Hunter, the engineers re-build in CATIA prior to tooling) are projected eight feet high and spun around in real time, inducing a tiny bit of vertigo and enabling an unnerving level of scrutiny (”yeah, can we zoom in on the lip of that cup holder? Thanks…”)

After the jump: photos of a clay studio, material and color boards from the 50s, and the fastest Wacom hands we’ve ever seen in our sheltered little lives.

Original post by amy chase


 
 

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